By Don McKay, Méira Cook
This quantity beneficial properties thirty-five of Don McKay’s top poems, that are chosen with a contextualizing creation via Méira cook dinner that probes barren region and illustration in McKay, and the canny, quirky, considerate, and infrequently comedian self-consciousness the poems adumbrate. incorporated is McKay’s afterword written in particular for this quantity within which McKay displays on his personal writing process―its dating to the earth and to metamorphosis.
Don McKay has released 8 books of poetry. He gained the Governor General’s Award in 1991 (for Night Field) and in 2000 (for Another Gravity), a countrywide journal Award (1991), and the Canadian Authors organization Award for Poetry in 1984 (for Birding, Or Desire). Don McKay used to be shortlisted for the 2005 Griffin Poetry Prize for Camber and was once the Canadian winner of the 2007 Griffin Poetry Prize for Strike/Slip. Born in Owen Sound, Ontario, McKay has been lively as an editor, inventive writing instructor, and collage teacher, in addition to a poet. He has taught on the collage of Western Ontario, the collage of recent Brunswick, The Banff Centre, The Sage Hill Writing event, and the BC competition of the humanities. He has served as editor and writer of Brick Books when you consider that 1975 and from 1991 to 1996 as editor of The Fiddlehead. He is living in British Columbia.
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Extra info for Field Marks: The Poetry of Don McKay (Laurier Poetry)
Feeling the tickle of the grass blades in my wrist. Feeling the sun’s angle in my shoulders. The cloud shadows moving over the ground. This time I felt another shadow and there was this hawk. He swerved suddenly above the bush, maybe he saw something, and the sun flashed on his underside. I will tell you what it was like. It was like a wild strawberry crushed against the roof of your mouth, a blood-bit. viii At night in the lane he wants to whistle But the feeling finds no tune the air surprising his mouth as a cool breeze through a fusty old forest.
Feel the muscle slide over bone as you crouch beside a Harebell, think of rootlets reaching into rock, licking its slow fury into food, hoisting this small blue flag. 26 / Field Marks Another Theory of Dusk What is there to say when the sky pours in the window and the ground begins to eat its figures? We sit like dummies in our kitchen, deaf among enormous crumplings of light. Small wonder each thing looms crowding its edge. In silent movies everyone overacts a little. It would be nice to breathe the air inside the cello.
As it is only your ribcage speaks for me now, a wicker basket full of sorrow and wish, so tough so finely tuned we have often reinvented the canoe and paddled off. It would be nice to write the field guide for those riverbanks, to speak without names of the fugitive nocturnal creatures that live and die in our lives. The Poetry of Don McKay / 27 Meditation on a Geode To find one, even among souvenirs of Banff from acrylic to zinc, is to realize that rock, ordinary limestone, composes in its own medium and has other lives.