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A better half to Werner Herzog showcases over dozen unique scholarly essays analyzing approximately 5 many years of filmmaking via essentially the most acclaimed and cutting edge figures in international cinema.

• First assortment in 20 years devoted to interpreting Herzog's expansive profession positive aspects essays through foreign students and Herzog experts
• Addresses a wide spectrum of the director's motion pictures, from his earliest works resembling Signs of Life and Fata Morgana to such fresh motion pictures as The undesirable Lieutenant and Encounters on the finish of the World
• bargains artistic, cutting edge techniques guided by means of movie historical past, artwork historical past, and philosophy
• contains a accomplished filmography that still encompasses a record of the director's performing appearances and opera productions
• Explores the director's engagement with song and the humanities, his self-stylization as an international filmmaker, his Bavarian origins, or even his love-hate dating with the actor Klaus Kinski

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Additional resources for A Companion to Werner Herzog (Wiley-Blackwell Companions to Film Directors)

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Eric Rentschler (New York: Methuen, 1986), pp. 217–230. : 1 Title Name: Prager Comp. by: RKarthikeyan Date: 22 Feb 2012 Time: 12:14:57 PM Stage: Proof Page Number: 29 30 Brad Prager Plula, Ekkehard: “Einzelgänger unter Außenseitern: Der junge Regisseur Werner Herzog,” Der Tagesspiegel—Berlin, February 7, 1971: 58. 2 (2010): 119–136. Prager, Brad: “Mit den Augen des Tieres: Werner Herzogs Primaten,” Lektionen in Herzog. Neues über Deutschlands verlorenen Filmautor Werner Herzog und sein Werk, ed.

Christopher Middleton and others (New York: Farrar, Straus, Giroux: 2002), pp. 32–43. Wassermann, Jakob: Caspar Hauser, oder, Die Trägheit des Herzens (Munich: Deutscher Taschenbuch, 1983 [original 1908]). 2 (1986): 71–78. ’ Spiegel-Interview mit den Regisseuren Herzog, Brandner, Bohm, Hauff,” Der Spiegel 25, June 18, 1979: 181, 183. Additional Films Cited Araki, Gregg: Nowhere (1997) Blank, Les: Werner Herzog Eats His Shoe (1980) Blank, Les: Burden of Dreams (1982) Brabin, Charles and Vidor, Charles: The Mask of Fu Manchu (1932) Browning, Tod: West of Zanzibar (1928) Browning, Tod: Freaks (1932) Chaplin, Charles: The Gold Rush (1925) Coppola, Eleanor: Hearts of Darkness (1991) Coppola, Francis Ford: Apocalypse Now (1979) Dupont, E.

I have no idea who he is. Is he Italian? Is he French? ” (Defamer 2008). But for those paying attention this dialogue started many years earlier. Toward the end of Ferrara’s Dangerous Game (1993) Keitel plays the part of a vainglorious and self-absorbed film director, who has pushed his actors a step too far. As he sits in a Los Angeles hotel room we hear Herzog’s voice. He is speaking to Les Blank’s camera in Burden of Dreams, explaining that he lives or dies with Fitzcarraldo and that if he doesn’t finish the film, that is, haul the steamship over the mountain, he would be a man without dreams, which he doesn’t want to be.

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