Download 100% Photoshop - Create stunning illustrations without using by Steve Caplin PDF

By Steve Caplin

Just if you imagine you’ve realized all which you could ever learn about operating in Photoshop, electronic artist and photomontage king Steve Caplin comes in addition to one more masterful technique for growing impressive artworks in Photoshop. This time, he’ll help you create entire photos, from begin to end, <U>entirely</U> in the software. No resource fabric, pictures, or current records from different software program programs are wanted, saving you priceless time and assets. The recommendations you’ll research during this ground-breaking new e-book may also help you mix your creative imaginative and prescient and talents with an realizing of ways to control the integrated Photoshop filters to provide amazing, crowd pleasing artwork.

Each bankruptcy opens with a whole double web page representation, created solely in Photoshop. Then, conscientiously laid out step by step directions exhibit you the way each one point within the representation is created, and the way they're all mixed in spite of everything to make a powerful ultimate photo. utilizing Steve’s confirmed tools for achievement, you’ll manage to produce photographs that mirror a extra finely crafted, hand drawn strategy, no matter if you’re an artist to your personal amusement or a operating specialist trying to find a leg up at the pageant.

*The basically e-book of its style that doesn't depend on any exterior photographs whatever - each point is created without delay in Photoshop

*A bankruptcy masking the fundamentals of utilizing particular filters and textures and a bankruptcy offering a precis of universal thoughts and instruments can help you sweep up in your common Photoshop talents so that you can go through the remainder of the ebook effectively

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Extra info for 100% Photoshop - Create stunning illustrations without using any photographs

Example text

Staying with our fish, now consider the perspective of the image. A side on shot, even composed diagonally will look flat and lack depth. But if the animal is positioned diagonally moving towards the camera instead then an impression of depth or length is achieved with perhaps the added impression of movement towards the camera. Look for backgrounds that contrast well with the main subject so that it stands out against it. Look also for opportunities to get below your subject to gain an upward view against open water towards the surface, which creates good contrast and that impression of distance behind it.

P These are special in camera photographic techniques that have long been used for many years by both professional and amateur land photographers to add creativity to an otherwise boring shot. A stationary car can be made to look like it is travelling at 100 mph and people can be given movement whilst they are really standing still. As underwater photographers we have a whole world ready made for these techniques. Like it or not a picture can be given movement and exaggerated colour, turning it from an otherwise boring subject to something that is both vibrant and can truly be called ART.

A more distorted image with longer speed lines slower a more distinct image with shorter lines. Obviously if you are deeper than 10-15 metres then the final image will be very desaturated in colour, so once practised this technique can again be combined with rear curtain sync. You will get all the speed lines but a more distinct sharper image with good colour saturation. Note: with all wide angle lenses I always use Fuji Provia 100F 35mm film. Conclusion Reef Scene Zooming sea and sea housing F90X camera 17 to 35mm Nikon zoom lens available light Fuji Provia 1/2 sec exposure f22 (exaggerated movement due to long shutter speed zooming from 17mm through to 35mm) UwP 36 I have tried to keep the explanations of how these three techniques work as practical as possible with the intention of allowing photographers the opportunities to get in the water and experiment, without too much technical jargon which sometimes can be confusing.

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